Two Kinds Of Black

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Identity is fluid, a physical characteristic is not.  I had identified as being “Mennonite” for many years of my life.  It was not much of a choice for me.  Raised in a Mennonite home, participated in a Mennonite church, and had internalized the values, the belief system, etc.  Mennonite was simply what I was and it still remains by ethnic/cultural background.  Leaving the community does not mean I’ll escape the genetic realities of my birth tribe.  

Is an identity surface level or deeper?

There was many of these labels that have to do with our social status, some we pick and others are picked for us.  In school if you’re into sports, hang out with other athletes, it is going to get you a “jock” designation and likely also stereotype applied with that.  Likewise, if were to wear a particular wardrobe to conform with a group of self-described non-conformists then you’re Goth or Emo.  People tend to coagulate into identity group—they find others who are like them and also become more like those whom they identify with.

But there’s a huge difference between these identities built around how we dress or who we associate with and those like eye color, bone structure or genitalia.  Sure, someone can dye their hair purple and claim that they are an astronaut, but that does not change what they were born with nor does it make them qualified to fly a space shuttle.  There are those ‘assigned’ categories that need to be objective facts rather than some kind of self-identity or cosplay act.  Science needs to have clear definitions or the endeavor is impossible.  And society simply can’t let you be a medical doctor because you feel like you should be a Porsche owner while you’re stuck driving a Kia.

Anyhow, getting to the point, a big problem with these conversations is that people are using the same words to mean something different.  For example, Rachel Dolezal, the woman who identified as ‘black’ despite her being born a daughter of European parents and having their biological characteristics, yet she could be ‘black’ for many years.  In my mind she can be both black or not black depending on what the term is describing—is it the genetic inheritance or the adopted culture?

I mean, think of Eminem’s lyrics: “I am the worst thing since Elvis Presley, to do Black music so selfishly and use it to get myself wealthy.”

Technically, if it is a ‘white’ artist doing the writing and performing, what is so ‘black’ about it?  He’s performing in English.  He’s doing naval gazing more common with the self-loathing European culture and his lyrics were about being some weird trailer trash hybrid rather than the themes common with the gangsta rap I knew growing up where it was at least presented as being something to take seriously.  How is a genre of music a skin color?  Asians are quite good at playing instruments and music first developed by the West—is that appropriation?

In many cases ‘black’ is not referring to something truly immutable.  No, rather it is about a lifestyle, a set of values, a certain way of behaving and, by this definition, it is perfectly legitimate for someone to identify as black without African genetics.  In other words, it is more like belonging to political party or religion than something someone is born.  And this is how suddenly the far left can claim work ethic or nuclear families are ‘white’ despite the Africans I know being as hard working and loyal to their spouses as any other person.

It is grotesque, horrendously racist, when a political candidate tells a whole segment of the population that if they don’t vote for him then, “You ain’t black.

Of course that was to intentionally confuse actual skin color and everything associated with it, with a ideology and perspective.  It is to rob the targets (black people who think differently than him) of their identity and is a form of gaslighting.  An outsider doesn’t get to decide what people should or should not belong.  It is inappropriate and bullying behavior, this truly is the worst kind of manipulation, it reinforces stereotypes and denies the true diversity within a category of color.

So identity is fluid.  We can change our own idea of what we are.  Still, there are also the fixed points determined by birth, a physical characteristic, that even if the surface level manifestations are surgically changed and hormones artificially employed, cannot be chosen or changed.  A man can behave in a feminine way, a woman in a masculine way, yet he doesn’t lose a Y chromosome simply for declaring himself a woman.  Sure, he can have his male anatomy reconstructed to resemble the female sex.  But there is more to being a woman.

Due to chromosomal abnormalities, there may not be a binary of male and female, but there most certainly is between female and not female.  It is one thing for the man once known as Bruce Jenner to reject the typical male role and change his name.  But that does not change the fact that he fathered his children and lacks the real hardware to be a woman.  Again, Rachel Dolezal can act in a manner that is associated with those of African origins, even fool the NAACP with her outward appearance, but she is not truly African American.

We do not need to recognize every claim as being valid.  I can’t just thrash around in the pool, march up to the podium and demand to be recognized as the winner of a swim meet without the necessary qualifications or actual achievement.  Why then is it ever okay for someone with male genitals and body to dominate in a female category for simply changing his name and having the powers that be join him in his psychosis?  

Changing your name and official category doesn’t change the physical reality.

It is a serious threat to civilization to attack the common language in this manner and it cannot be taken lightly.  One person with a delusion is not a problem.  However, when it is a significant portion of society going off the rails together then very quickly becomes dangerous.  Matters of our preference and culture are subjective, what is feminine or masculine is not set in stone, but science and reason must be built on something that is objective.  There must be a wall between identity that is merely social construct and that which is grounded in substance.

Cultural Problems: How the Real Slim Shady Became President

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I would be tempted to quote entertainment mogul Shawn Carter (aka Jay Z) who once told the world about his ninety-nine problems, but he uses a word that degrades women and it shouldn’t be repeated here.

Carter’s “99 problems” came to my mind, I admit because I’ve been a consumer of his products and also that of his cohorts.  Music and movies, from many producers, have been a part of my life and undoubtedly had an influence too.  I can still remember listening to Eminem (Marshall Matthers III) rap about using drugs, abusing homosexuals, killing his wife, etc.

It might seem strange that a straight-edge Mennonite kid from rural Pennsylvania would find anything in common with violent and hate-filled lyrics.  I could lie and pretend it was all for sake of amusement and didn’t reflect anything of my own character.  But, truth be told, even knowing nothing of a rough life in the ghetto, and having no animosity towards police or Sir Elton John, the words resonated with my own deep feelings of anger and frustration at the time.

Eminem actually offered some good insight into his lyrics.  He was right when he concluded a musical social commentary with the following words: “I guess there’s a Slim Shady in all of us…”  That is probably what made his music so popular.  People could identify with him.  He gave a voice to millions, especially underprivileged young men who were tired of being told how to think and worrying about the correct political language to use and just wanted to let loose.

The Two-way Street Between Artist and Audience

Hollywood producers and musical executives often hide behind this idea that their art merely reflects what is real.  That is their way of washing their hands of responsibility and it seems reasonable enough considering what I’ve just confessed about my own inner struggles.  However, that is only half true, the whole truth is that their creative expression also shapes our world or we would not call it creative—what resonates or reflects can also help to shape and influence.

The entertainment industry is well-aware of their social influence.  True, we reject their most heavy-handed efforts.  I could care less about what Matt Damon thinks about gun violence, Brokeback Mountain didn’t tempt me in the least, and, sorry Dr. Dre, I still have no hate for police.  I take full responsibility for my own less than wholesome thoughts and wrong attitudes.  Nevertheless, I use the word “problems” and somehow Jay-Z comes to my mind.

Movies, music and other media are intended to influence and most definitely do have influence.  Sure, watching The Matrix didn’t cause anyone to go on a murderous rampage, but is it only coincidence that a mere month after this film was released two boys wearing long dark trench coats killed 13 of their classmates in Columbine High School?  Could it be they were partially inspired by a scene where two characters wearing long dark trench coats enter a building lobby and gun down everyone?

Again, individuals should be held accountable for their own actions.  But the same also goes for those who create content and play a significant role in defining popular culture.  Quentin Tarantino’s blood lusts might be portraying Nazis, Antebellum Southerners, or any of the others we have decided it is okay to completely dehumanize, but he can’t decide how others will apply the moral framework he presents and should probably think a bit more about unintended consequences of his violent ideations.

Writers, musicians, actors, artists, directors, executives, commentators, professional athletes, television hosts, and others employed in the entertainment industry are out to recreate this country in their own image.  And, many of them, in their race to profit off of the lowest common denominator, have shown themselves lacking in good moral judgment and need to take more credit for the results of their work.  Many have made their billions by promoting moral turpitude, have created an audience to consume their filth, and yet then are outraged that a vulgar man is elected President?

The entertainment media was all beside themselves recently with excitement when Eminem went off on an explicit rant parroting common accusations against Trump.  In breathless headlines he become a heroic figure, a part of their resistance, and suddenly relevant again.  I guess it doesn’t matter that he helped to condition a whole generation to think it is funny to degrade women and minorities?  He made dirty locker room talk seem tame by comparison.

Hollywood Hypocrisy Has Been Exposed

“There is nothing concealed that will not be disclosed, or hidden that will not be made known. What you have said in the dark will be heard in the daylight, and what you have whispered in the ear in the inner rooms will be proclaimed from the roofs.” (Luke 12:2‭-‬3 NIV)

Those within the media echo chamber might not see the hypocrisy yet many Americans do and are tired of sanctimonious multi-millionaire celebrity elites telling them what to think, how to vote, or who should lead them.  The rebellion is on, the plebs have started to tune out your lectures years ago when the double standard became too big to ignore, and it is time for some serious introspection.

When Larry Flynt, a purveyor of sleaze, gets on his high horse, and again offers millions to find dirt on the Donald, does he ever consider repenting of his own immorality first?

Then we have Harvey Weinstein, a prominent figure in Hollywood, a wealthy Hillary Clinton supporter, and known sexual predator.  I say known because his behavior was apparently common knowledge amongst media elites and ignored.  For whatever reason, perhaps because of shared political ideology or cash payoffs and career opportunity or fear of their own sins coming to light, for years and years nobody spoke out publically against him:

“Weinstein’s behavior was reportedly an open secret in the circles in which he ran, which includes entertainment and politics. So much so, in fact, that shows like NBC’s “30 Rock” openly referenced his predatory habits. Twice. The comedian Seth McFarlane also referred to Weinstein’s abusive nature during the 2012 Oscar nominees announcements. Despite all of this, Clinton maintains she knew nothing about the producer’s appetites.”

I guess what we deem to be “deplorable” depends on who does the crime.  If Joe Paterno and everyone at Penn State should be held responsible for Jerry Sandusky’s abuse of young boys, does that mean everyone in Hollywood and the media (who buried Weinstein’s transgressions) be held to the same standard?  Is it time to investigate the Clinton campaign to find out what they knew and when?

Those questions will be answered in time.  I personally do not know the circumstances or various actors involved well enough to render any judgment.  But there are many who should probably think carefully about what they say in condemnation of others.

Weinstein, perhaps in a bid to deflect attention from his own sins (or in a failed effort to garner the support of other progressive elites) said he would target his anger at the NRA.  The absurdity of this, a man in an industry that hides behind the first amendment (apparently only angry for getting caught) targeting an organization that defends the second amendment…

Maybe it is because men of his ilk have been using that script for years?

They objectify women, they glorify violence, they stir up racial animosity and then pick a scapegoat to act outraged about.  Instead of admitting their own role in the problem they would rather blame an organization that existed long before the upward trend in mass shootings of the past few decades.  They want to blame guns—nevermind the inconvenient truth that actual machine guns were completely legal until 1986 and long before this precipitous increase in violence.  It is time they stop deflecting and blame shifting and take ownership of their part of the problem.

Trump Is the Symptom, Not the Disease

Sorry, Hollywood hypocrites, many of those who consumed your entertainment (and found their own inner Slim Shady) also voted for the candidate who spurned cultural conventions in his rise the top and waved his middle finger in the air like he just didn’t care. In other words, he is just a slightly different version of you.

Trump is merely the first politician to take full advantage of the shift in American values.  He did not create the culture, he didn’t even create the character he is playing—we can thank Mike Judge, the movie Idiocracy and President Comacho for the inspiration.  So, if you really want to defeat Trump, start by addressing those privileged elites who lowered our cultural standards, encouraged the abandonment of traditional values, and created an audience primed for a vulgarian to lead them.

It is time we stop privileging a few with ready-made excuses.  It is time to stop lambasting only those who help our political ends and ignoring the problems of our own side.  We all share some of the blame for the society we together have created, we all need to take a long hard look at where we are headed and how our own actions contribute to the problem.