daughter

Snow Woke—Disney’s Female Empowerment Fairytale

Standard

Apparently the Snow White remake bombed at the box office. We could just go with the standard “get woke, go broke” traditionalist assessment. Rachel Zegler comes off as the female equivalent of Andrew Tate—as being angry, entitled, selfish and toxic—which isn’t appealing to a broad audience.

But, before we get into the remake, let’s talk a bit about the original Disney animation of the fairytale. The character deviates quite a bit from the Grimm version. For a start, the fair-skinned protagonist is half the age (7 rather than 14) and there’s no “true love’s kiss” in this original version. Furthermore, she’s a sort of blank slate archetype—not some ideal 1930s homemaker mothering a bunch of dwarfs. In short, the adaptation then was not completely true to the source material and created an image of feminity relevant to that time.

The Grimm version was darker in tone and featured a prince weirdly obsessed with a dead girl in a glass coffin. The dwarfs did not have distinct personalities. And Snow White awakened when the poisoned apple is dislodged from her throat when a servant carrying her coffin stumbles. And it was at this point the prince professes his love and proposes marriage—which she accepts.

The latest Disney live-action takes liberties in a very different direction. It is even less true to the original (other than elimination of the Disney romance) and reimagines Snow White being a sort of feminist militia leader who leads a bloodless insurrection against the usurping queen. But the “mirror mirror on the wall” remains and a poisoned apple—despite the heavy edit of the script where an empowered woman replaces the worn damsel in distress trope.

Why People Don’t Like Snow Woke

People enjoy new takes on old genres, like Shrek or Furiosa and also powerful female characters such as Ellen Ripley in Aliens, Sarah Connor in Terminator or even Katniss Everdeen in the Hunger Games.  They were relatable, we saw them develop, circumstances made them tough to survive, and audiences loved them.  What they don’t like is preachy dialogue or lack of any real character development. A Mary Sue, a hero with no weaknesses, is unrelatable. It is the problem with Superman and with the many woke adaptations of stories.

We like the image of a woman against the machine.

Christian movies have a tendency to be bad for the same reasons. They can come off a little campy or forced. Sure, it may work for drawing your ideological camp, but it isn’t a compelling story for the unindoctrinated or the broader audience. Which is not to say that movies about Christianity can’t be great for entertainment.  I love gritty true stories like that of Hacksaw Ridge or profound, like Silence, will have anyone at the edge of their seats—the key being relatable characters.

Zegler is a bit much. Totally insufferable in the eyes of some. And she plays a part that is equally annoying. The departure from the source material is just too rude. Sure, there is room for an update, but you would never reinvent Rambo as well adjusted pacifist in a mission to avoid too much sun exposure. Disney dumped the essence of the original and replaced it with another tired ’empowered woman’ cliché. You wonder if Zegler herself wrote the script with lines like, “I’m not waiting for anyone to save me” or groaner, “The fairest isn’t about beauty—it’s about justice!”

Ouch.

Oh well, at least even apologists for woke seem to understand that it is just bad. They did not even bother accusing the audience of being racist or misogynistic this time around.

Smash the Symbolism!

What is truly lost is the symbolic depth of the original tale. Snow White was beauty and purity contrasted with the vanity and evil of the obsessed queen. They gutted what made the Grimm tale a significant message about the triumph of innocence over the destructive power of pride. This, obviously, is too nuanced for a superficial sexual organ obsessed militant far-leftist to understand. The producers of the new film replaced purity of motive against cunning with a banal competition for power.

It’s not even moral inversion. They totally lost the point. It makes me think they lack any layers to their being. It’s all about their grievance and getting back at those they’ve scapegoated for their own misery. Like the evil queen, with all the power, they envy the beauty and peace of others and attempt to kill it with their poisoned apple. Snow Woke is the toxic fruit. Zegler is an icon of their privileged ‘diverse’ female with an entitled chip on her shoulder and not the slightest bit of appreciation for all the good men who made her ignorance possible.

This is not to say those who are fixated on the literal whiteness of the actress are any better. Grimm was not writing about racial supremacy anymore than woke supremecy, if anything the original story was about our transcending politics and Zegler would be perfectly suited for the role if she were able to embody that spirit. But our culture, in a desperate need of critique, it dichotomizes everything—divides the world into friend or foe, as if life is a zero-sum game and there is never anything to gain through fusion of opposites.

Zegler is as Puritanical (and Pharisaical) as a religious fundamentalist. She reframes a rescuing prince as a stalker and romance as weird. More rigid than a patriarch, more domineering than the system she is taught to loath. A preacher rather than an actual protagonist. Basically, a young idealist who wields her moral certainty with a convert’s passion, and yet stumbling into hypocrisy under scrutiny—reaping benefits of every institution she claims to reject.

The Female Power of Beauty, Gentleness and Grace

A few years ago, I was in the checkout line and suddenly noticed the cashier. She was beautiful, pale or ashen-faced, with hair that was jet black, pleasant smile and yet there was something uncanny valleyish about her appearance. I could not quite put my finger on it. But then she spoke. This would send a shiver through me. Never before did I have that sort of feeling simply by hearing someone talk. There was a certain quality to her voice that was almost child-like, soft, pure, and really threw me for a loop. And it occurred to me that this young woman was a real life Snow White.  I had not thought this would actually be attractive in person, but it had me momentarily smitten.

As it would turn out, in a later conversation, I learned she was mixed race, Filipino mom and dad of some kind of European descent, which is likely what gave her this stunningly feminine appearance. Now, no doubt this gentle exterior was cover over a tough and capable individual. She drove an old pickup truck and lived apart from her family with a sister, and may well have been a teenager or in her early twenties. In many ways she is like Zegler (who is herself a mix of Colombian and Polish heritage), but this real-life Snow White wielded her beauty, gentleness, and grace as a quiet strength that captivated without preaching, Zegler’s strident zeal turns a timeless tale into a soapbox, losing the feminine power of subtlety for a hollow shout of self-righteousness.

This is what outspoken angry feminists fail to grasp, forcefulness isn’t the only kind of power. My petite wife could never command me to do anything. I’m 50% bigger than her and have twice the upper body strength, I would shrug it off. But she does not need to force me to do anything. She overpowers me by other means. For example, early on, before we were married, she convinced me to stop drinking so much soda, she told me water is a symbol of her love “pure and clean” and when I drink it I could feel her love. I didn’t need to be told twice.

When I look at my baby daughter I would do anything for her. She’s so vulnerable—there is a strong desire to protect and defend her—I’m drawn, not compelled.

So what does female empowerment really mean?

Is it empowering to a fish to be out of the water?

A visual representation of society telling individuals they need to be something else to be happy.

Humans are wired for their base biological and physical functions. Reproduction is a big part of this. It becomes clear after you see process through from courtship to baby in a carriage. Early in the pregnancy, given our financial goals, my wife had considered sending the yet to be both child to be raised by her mother. But as soon as the bundle of cuteness arrived, along with the appropriate hormones, it was never a question. Family is empowerment. My sacrifice, as a father, is more rewarding than the toys I could buy for myself as an independent bachelor.

We’re relational, not rational.

Therefore, the things we think will make us happy do not give us long-term fulfillment—the woke Zegler types are privileged, given preference as women or minorities, and yet always unhappy and looking at what others have and they do not. They are a paradox, enjoying female privilege—then miserable and wanting what men have.

It is toxic, it is their impurity of spirit, and it destroys their natural beauty and potential for true empowerment.

In all honesty, I don’t really have a problem with Zegler’s passion or outspokenness.  I guess I tend to prefer women with a real personality and feel she is right on the Gaza issue.  But what is wrong is that she’s not the right character to play what is supposed to be an embodiment of purity and the power of innocence against evil.  Snow White isn’t supposed to be Mockingjay or a story where physical force met with force—but of a different kind of power.

Ultimately, the 2025 Snow White stumbles not just as a film but as a misguided anthem, with Rachel Zegler’s shrill militancy drowning out the subtle power the Grimm tale once whispered. The original’s purity and even Disney’s 1937 grace knew strength isn’t loud—it’s captivating, like the cashier whose soft voice and uncanny beauty stopped me cold, a real-life Snow White wielding gentleness over force. My wife, too, overpowers me not with commands but with a love pure as water, turning a stubborn man into a willing protector, and just as our daughter’s vulnerability stirs my soul to shield her. Zegler’s remake, obsessed with preaching justice over enchantment, misses this: true feminine empowerment doesn’t need a megaphone or a militia—it’s the quiet, relational magic that binds us, a truth the poisoned apple of ‘Snow Woke’ chokes out, leaving a hollow echo where a fairytale’s heart once beat.

Joachim and Anna and the Curse of Childlessness

Standard

For those raised in the conservative Mennonite culture big families are a given. There were nineteen children in my dad’s family (sixteen biological, three adopted) and, while that is the extreme, it would be very unusual for a married couple not to have any children. In a culture where blessing is practically synonymous with children, a childless home would likely produce some whispers and infertility a very unpleasant matter.

Children have traditionally been a retirement plan and marriage commitment the first step. A person without any offspring would likely have nobody to care for them in their old age. Even in a time when the state has taken over that role of social security there is still need of a new generation of children to keep that kind of system solvent. As many industrialized nations have below-replacement fertility rates, childlessness could soon be the crisis for us that it would have been in the ancient times when this was written:

Children are a heritage from the Lord, offspring a reward from him. Like arrows in the hands of a warrior are children born in one’s youth. Blessed is the man whose quiver is full of them. They will not be put to shame when they contend with their opponents in court. (Psalm 127:3‭-‬5 NIV)

Indeed, who will contend for the childless?

If you think that democratic institutions, in the hands of young people raised in a culture that values youth, will continue to provide for the elderly who have no familial connection to them then someday you’ll have a rude awakening. If anything the elderly are seen as a political obstacle in our modern times, a waste of limited resources when we have Google to provide our answers, and many of these youthful ignorant social engineers—rather than contend with a bunch of has-beens they don’t care to know—would delight in giving you a push to an early grave.

The Childless In Scripture

In ancient times, perhaps for the reason that there would be nobody to care for you in old age without children, there was a social stigma attached to being childless. In the case of Saul’s daughter Michal, who was critical of her husband David’s celebration antics, and her childlessness is expressed (2 Samuel 6:20-23) as if being a punishment. We are never told if that was simply a result of her relationship with her husband or not, but either way she did not produce an heir to David’s throne—which would be a serious setback to say the least.

There are patterns in Scripture and one of those patterns being that those most notably childless early on are often the most greatly blessed later. The most notable of those couples with a deferred blessing is Abraham and Sarah. They were elderly and had remained childless. We are told “she was not able to concieve” (Genesis 11:30) yet Abraham was promised to be “the father of my nations” (Genesis 17:4) and this seemed plain ridiculous given the advanced age of the couple. But, they were blessed by God, Sarah did bear Issac and was childless no more.

There is also the account of childless Hannah. In the first book of Samuel we read how she was treated especially well by her husband (who had two wives) because he loved her. And yet her rival would torment her over the fact that she could not bear children and this made her miserable to the point she couldn’t eat. Finally she cried out to God, weeping bitterly, she vowed:

Lord Almighty, if you will only look on your servant’s misery and remember me, and not forget your servant but give her a son, then I will give him to the Lord for all the days of his life, and no razor will ever be used on his head. (1 Samuel 1:11 NIV)

In other words, she promised her son would be a man dedicated to God.

The account goes on to say that Eli, the priest, who was watching her pray yet couldn’t hear her words, thought she was drunk and tells her to put away her wine. But she responds that this isn’t the case, that she is simply deeply in anguish, to which the priest tells her: “Go in peace, and may the God of Israel grant you what you have asked of him.” (1 Samuel 1:17 NIV) This answer seems to have consoled Hannah who we are told began to eat again and would later become pregnant, bear a son Samuel—a name which basically means “heard by God” and he would, as a result of her commitment, become a great prophet.

Finally, before we move on to Joachim and Anna, there is this assurance given to the childless who remain faithful:

And let no eunuch complain, “I am only a dry tree.” For this is what the Lord says: “To the eunuchs who keep my Sabbaths, who choose what pleases me and hold fast to my covenant—to them I will give within my temple and its walls a memorial and a name better than sons and daughters; I will give them an everlasting name that will endure forever. (Isaiah 56:3‭a-‬5 NIV)

There are many who would love to have children and cannot. This is one of those terrible ironies given the numbers of abortions and abused or neglected children in the world. We will never know, at least on this side of eternity, why some who long to be mothers and fathers are denied the blessing of children. However, we do see that those who suffer this despite their righteousness will be rewarded in the end and therefore should always put their hope in God who will make all things good for those who love and obey Him.

Who Are Joachim and Anna?

These two, mentioned at the conclusion of each liturgy, “the holy and righteous ancestors of God, Joachim and Anna,” despite being mostly forgotten in the religious tradition I was born into, have one of those great stories.

Joachim was from the tribe of Judah and a descendant of King David. His wife, Anna, was from the tribe of Levi, the same as the High Priest Aaron and the daughter of the priest Matthan. They had lived fifty years, as a married couple, and were unable to have children despite their devotion to God.

Joachim had faithfully, since his teenage years, given two-thirds of his income, one third to the poor and another third to the Temple, and were financially blessed for this. However, their childlessness finally became a cause of harassment. The High Priest, Issachar, confronted Joachim and told him, “You are not worthy to offer sacrifice with those childless hands.” And, with that pronouncement, he was pushed back by others, who had children.

Rejected and despairing in this disgrace, Joachim studied and found that, indeed, every righteous man in Israel had been blessed with children. He and his wife left with Jerusalem with profound sadness because of this. They began to pray for a miracle, like that which happened for Abraham and Sarah, him going into the mountains with his flocks and Anna returning home. Then the archangel Gabriel visited them both, promising them “a daughter most blessed, by whom all the nations of the earth will be blessed, and through whom will come the salvation of the world.” The picture is of them meeting again, at the city gates, upon hearing this.

Their daughter, Mary, the mother of Jesus our Lord, was specially dedicated to God and, like Hannah’s son Samuel, was brought up at the Temple at the age of three to be raised with other girls there. Their righteousness was finally rewarded having waited those many years. Their story is one that is a good reminder to those who have been faithful yet have not been blessed like others. They are the grandparents of our Lord and Savior.

Anyhow, by coincidence, the conception of Mary is celebrated today, December 9th, which is something I didn’t know when I began writing this blog.